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dominate this week’s new releases.Īn overwhelming sadness permeates Jane Campion’s Bright Star, the story of the brief, doomed romance of 19th Century British seamstress Fanny Brawne and dying poet John Keats.Ībbie Cornish, who appears in almost every scene, received the lion’s share of the notices for her portrayal of Fanny and she’s quite good, but so is Ben Whishaw as the great romantic poet who died at 25 thinking himself a failure.
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See a full list of Oscar artisans profiles below.Films set outside the U.S. So while the staff lets its hair down upstairs, and a crew continues to break down everything below - working around the clock until Tuesday morning to do so - those squeezing in that last minute of celebration on Sunday know well that preparing for the Oscars is one job that never really ends. By the time the show rolls around, a few Academy staffers are already thinking about how they’ll do it differently next year. The handpicked team from PricewaterhouseCoopers alone puts in thousands of man-hours keeping up with branch balloting, bake-offs and nominations voting. Oscarcast prep heats up in the fall and explodes once nominations are announced, but work on the show proceeds in a long, slow burn throughout the year. A trio of Dolby engineers lurks in spotlight boxes on either side and the projection booth, making forays around the auditorium to ensure the in-theater sound is immaculate. But if you can’t place the face …Īt least three of the tux-clad men prowling the upper reaches of the theater are neither ticket holders nor seat fillers. How many? The Acad won’t say, citing security concerns. Still, those pans across the glitterati are an essential part of the telecast, and empty seats won’t do, so seat-fillers stand ready. So by mid-event, they’re hungry and thirsty.
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for a four-hour show with no intermission. After all, they might leave home just after lunch, walk the carpet, and settle in at 5 p.m. Yet as hot a ticket as the show is, many guests choose to step away, and hang out at the bar during the ceremony. With nominees, presenters and performers, and their guests, reps and other industry luminaries, ducats are in short supply. Some 40 ushers and ticket-takers handle the 3,300 invitees at the Dolby Theatre.
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But hundreds more print, Web, TV and radio types labor “backstage” (actually a ballroom in the adjoining Loews hotel) at the press interview room. It can often seem as if there are that many people on the red carpet, but in fact, in 2014, there were 78 still photographers and 67 print reporters covering arrivals. The TV press numbered more than 1,100, including technicians. Last year, 915 outlets applied for badges, with 269 approved. Press credentials alone are a dizzying exercise in logistics. The 500-foot red carpet and the arrivals area require some 30-odd truckloads of materiel, including 16,500 square feet of carpet, and bleacher seating for 771 fans. 22 show ties 2009’s event for earliest calendar date ever for the Academy Awards.Ībout 100 vehicles and trailers, counting production and catering, service the kudofest and the Governors Ball. And this year, everyone is working on a short timeline. The telecast production office alone employs about 300 people, many working full-time since November. The sheer size of the Oscars team can be hard to fathom.